Showing posts with label Video. Show all posts
Showing posts with label Video. Show all posts

Saturday, February 13, 2010

Alfred Stieglitz: The Eloquent Eye



Alfred Stieglitz: The Eloquent Eye is a 90-minute look into the life and legacy of the father of modern American photography, part of the American Masters series for PBS. All the famous pictures are here as well as rare and early ones, the O'Keefe pictures, portraits of artist friends and fellow photographers, and the work of contemporaries like Edward Steichen, Clarence White, Frank Eugene, and John Marin. As a special treat, Georgia O'Keefe reminisces about her life with Stieglitz as his wife and muse in a rare interview.

I have divided the film into four bite-size parts. Higher quality versions can be downloaded here:
Part One
Part Two
Part Three
Part Four


Part One


Part Two


Part Three


Part Four

Sunday, October 11, 2009

Leica M9



The Leica M9 is here and it's a beauty. The camera's full-frame sensor, the first of its kind among digital cameras, renders the full 35mm format (24x36mm) in high resolution. It has the look of the classic M, and offers a few welcome changes to its predecessor, the M8. Most notable are the handy ISO button, several shutter sound modes, and the ability to eliminate infrared light contamination without the use of an external filter. The video below gives a tour of the M9's new features. You can also read more about it in the special Leica website featurette.

Thursday, October 1, 2009

We interrupt this blog ...

. . . to post a song-and-dance number from "Glee," the happiest show on TV today.

Tuesday, August 4, 2009

The Genius of Photography 6: Snap Judgements


Andreas Gursky, 99 cent, 1999.

In the final episode of the series, photography today: the art and business of making and selling pictures; Gregory Crewdson and the staged, manipulated photograph; the battle for Seydou Keita's archives; Li Zhenseng, Wang Qingsong and new Chinese photography; Paolo Ventura's war stories; Alex Soth; Jeff Wall; Philip Jones Griffiths versus Martin Parr at Magnum; Andreas Gursky, $3.3 million dollar man. At left is Edward Steichen's The Pond-Moonlight (1904), sold at auction for $2.9 million.

Epside Six, Part One


Episode Six, Part Two


Episode Six, Part Three


Download Episode 6 in high-definition from Rapidshare here:
Part 1
Part 2
Part 3
Part 4

Monday, August 3, 2009

The Genius of Photography 5: We Are Family


Sally Mann, Jessie Bites, 1985.

Episode 5 looks at what happens when photographers turn their cameras on themselves and their loved ones, translating personal relationships into photographic ones. In this episode, Diane Arbus, Richard Avedon, Larry Clark, Nan Goldin, Nobuyoshi Araki, Richard Billingham, Sally Mann, Larry Sultan, Cindy Sherman, and Philip-Lorca diCorsia.


Episode Five, Part One


Episode Five, Part Two


Episode Five, Part Three


Download Episode 5 in high-definition from Rapidshare here:
Part 1
Part 2
Part 3
Part 4

Saturday, August 1, 2009

The Genius of Photography 4: Paper Movies


Weegee the Famous, Their First Murder.

Episode 4 continues with a lively look at the golden age of street photography from the 1950s and beyond, the age of the photographic roadtrip. In this episode: the seminal work of Robert Frank in The Americans, William Klein's New York boogie-woogie, the unblinking reportage of Weegee the Famous, Joel Meyerowitz stalking Fifth Avenue with his Leica, the enduring wit of Garry Winogrand, British photographer Tony Ray Jones' everyday people on the beach, Edward Ruscha's gas stations, Martin Parr in Memphis, William Eggleston and the ascendance of color photography, Stephen Shore, Joel Sternfeld.

Episode Four, Part One


Episode Four, Part Two


Episode 4, Part 3


Download Episode 4 in high-definition from Rapidshare here (you need to download all four files and join them using WinRAR):
Part 1
Part 2
Part 3
Part 4

The Genius of Photography 3: Right Place, Right Time


Robert Capa, Omaha Beach, Normandy coast, France, June 6, 1944.

Episode 3 begins with delightful footage of Henri Cartier-Bresson "pouncing" at the streets of Paris in the 1940s. The decisive moment, how it changed the way we photograph, and how it collided with the historical moment when the world went to war. In this episode: war photographers Robert Capa and Tony Vaccaro, a Jewish ghetto in Poland, post-war reconstruction in Europe, Japanese photographer Shomei Tomatsu's documents of Nagasaki, The Family of Man exhibition, Magnum Photo Agency, and, finally, W. Eugene Smith's colossal Pittsburgh Project.

Episode Three, Part One


Episode 3, Part Two


Episode 3, Part 3


Download Episode 3 in high-definition from Rapidshare here:
Part 1
Part 2
Part 3
Part 4
Part 5

Friday, July 31, 2009

The Genius of Photography 2: Documents for Artists


August Sander, from Man of the 20th Century, 1929.

The Genius of Photography continues with photography during the 1920s and 1930s. In Episode 2, photography as document: the Machine Age, Alexander Rodchenko and Soviet Utopianism, August Sander and human classification in the Weimer Republic, Man Ray and surrealism, Eugène Atget, Walker Evans and the Farm Security Administration.

Episode Two, Part One


Episode Two, Part Two


Episode 2, Part 3


Download Episode 2 in high-definition from Rapidshare here:
Part 1
Part 2
Part 3
Part 4

The Genius of Photography 1: Fixing the Shadows


André Kertész, Meudon, 1928.

BBC-Four's The Genius of Photography is a comprehensive -- and immensely enjoyable -- documentary of the history and art of photography from the earliest daguerreotypes to photography in the digital age. The six-part series takes us on an illuminating ride across the entire landscape of the medium, stopping at important milestones, guided by some of the most influential photographers, critics and curators working today. From the documentary's very first image of André Kertész's 1928 photograph of Meudon, and how this image came to be, you are assured to be mesmerized.

In Episode 1, broken up into three parts below, the origins of photography: camera obscura, Talbot, Louis Dagguer, Eadweard Muybridge, Nadar, George Eastman, Kodak, Lartigue, André Kertész, New York forensic photography, industrial age, Edward Steichen, Chuck Close, Luc Sante, David Byrne.

Episode One, Part One


Episode One, Part Two


Episode One, Part Three


Download Episode 1 in high-definition from Rapidshare here:
Part 1
Part 2
Part 3
Part 4

Wednesday, July 29, 2009

A new book by Brigitte Lacombe





While on assignment at the 1975 Cannes Film Festival for Elle, Brigitte Lacombe, then a fledgling photographer, met Dustin Hoffmann and Donald Sutherland who invited her to the sets of All the President's Men and Fellini's Casanova. The meeting started Lacombe's remarkable career photographing what she calls "a cinema of exception." Exceptional too are Lacombe's spare but emotionally probing portraits of film and stage personalities in cinema/theater, published in 2001, a compilation of her magazine work and her seven-year stint as staff photographer of The Lincoln Center.

Lacombe has a new book from Steidl, anima/persona, a collection of favorite portraits of actors, artists, directors, politicians, writers, and musicians. Charlie Rose talks with Lacombe about the book and her process in the video below. Towards the end of the interview, a special treat: Henri Cartier-Bresson.

Charlie Rose interviews Brigitte Lacombe









We interrupt this blog . . .

. . . to play the happiest video on earth.

Sigur Ros, Hoppipolla.

Saturday, July 18, 2009

Dancing in the woods


Dancing in the woods on a Sunday afternoon, Stern Grove, August 2008.



One of the best things about summer in San Francisco is the Stern Grove Music Festival, a free outdoor concert series set in a beautifully wooded amphitheater, where you can picnic on the grass, dance and sing-along with performers from around the world in an intimate, natural setting.

Last summer, we watched Bajofondo, the remarkable electronic tango band from Uruguay fronted by Gustavo Santaolalla, composer of the music from Brokeback Mountain, Babel, 21 Grams, and Motorcycle Diaries.


This summer's festival has already seen the likes of Roberta Flack, Joan Baez, and Les Nubians on stage. Tomorrow we are watching Sergent Garcia, the reggae/hiphop phenomenon from Brazil whose beats are as politically charged as they are danceable. My friends, Barry and Deborah, are on the Festival Board of Directors so we get to watch the concerts in style: on an elevated picnic table with front view seats of the amphitheater stage. Still to come for the 2009 season: Bollywood superstar Kailash Kher, Columbian cantadora Totó Momposina, the SF Ballet, and tenor Marco Berti with the SF Opera.

Bajofondo, Pa Bailar


Sergent Garcia, Amor Pa Mi

Friday, July 10, 2009

Taken Today: Dancing


After Ballet Class, Berkeley, July 2009.

My daughter is on her sixth or seventh year of taking ballet classes. She's getting stronger, more limber, and beginning to distinguish her Fosses from her Balanchines. But her real idols are the modern dance choreographers of her generation: Mia Michaels, Wade Robson, Sonya Tayeh, Shane Sparks, Tice DiOrio, Adam Shankman, Mandy Moore; in short, the choreographers of the inspiring reality TV show, So You Think You Can Dance. Better known to its fans as SYTYCD, the show has taken dance out of its elitist and airless space and into the living rooms of the public-at-large, alive, kicking, and a joy to behold. SYTYCD has shown everyone what dance enthusiasts have known all along -- that dance is hard work and, when done well, is an exuberant celebration of what the human body can do.

Here's a sample of the boundless ingenuity of its choreographers, a Latin-hiphop hybrid set in a Cuban bordello, danced to the music of Cuban-American rapper Pitbull, choreographed by Tabitha & Napoleon and Dmitry Chaplin. (For Jorge, who missed this number when it was first braodcast.)

So You Think You Can Dance - Calle Ocho

Sunday, June 21, 2009

Viva Almodóvar

Dedicated to Alan and Isabela

After Volver, Oakland, California, November 2007.

Pedro Almodóvar is on a roll. Since 1999 he's been making one gem after another, starting with All About My Mother and continuing all the way to Volver (2006), which featured Penelope Cruz at her sauciest and his entire pantheon of great character actresses. Bookended by these two movies about women were two movies about men, Talk to Her (2002) and Bad Education (2004), rarities for Almodóvar and equally great. Almodóvar's movies before 1999 were all irresistible in their own ways: Women on the Verge of a Nervous Breakdown was so popular it may soon become a TV series for Fox, and at the core of Live Flesh was a great performance from Javier Bardem. But none of them could have prepared us for the complex depths of feeling and tragedy found in All About My Mother and the later films. He has a new movie coming out soon, Los Abrazos Rotos (Broken Embraces), and a new movie by Almodóvar is always a good thing.

There's one more reason to look forward to a new Almodóvar movie: a new musical score from Alberto Iglesias, the brilliant composer who scored Almodóvar's last seven films. (Listen to -- and be swept away by -- the title track from Talk to Her in the first video below.) Almodóvar reputedly likes to haunt karaoke bars and sing his heart out. It shows in his movies; the tragic ones are like operas and the day-glo comedies are Broadway musicals waiting to happen. His soundtracks mine the best of old and new music from Spain and some of the best heartbreakers ever recorded (listen to Caetano Veloso's Cucurrucucu Paloma or Maysa Matarazzo's version of Ne Me Quitte Pas). His new movie, Los Abrazos Rotos, which is about a filmmaker who has become blind, features the beautiful song "A Ciegas" (Blindly), scored by Iglesias and performed by Miguel Poveda (see video below).


All About My Mother


Talk to Her

Bad Education


Volver




Almodóvar Images (music by Alberto Iglesias, Talk to Her)


From Los Abrazos Rotos, Miguel Poveda sings "A Ciegas"


Penelope Cruz sings title song of Volver


Anatomy of a Movie Poster, Volver


Main Titles, Talk to Her